Adriaen Brouwer
(1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century.
At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren.
Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life.
He died at the early age of 32 in Antwerp, where he was first buried in a common grave. Related Paintings of Adriaen Brouwer :. | Interior of a Smoking Room | Streitende Bauern in einem Wirtshaus | Das Geful | Dune Landscape by Moonlight | Smokers in an Inn. | Related Artists: Newman, Willie BettyAmerican, 1863-1935 Giovanni GiacomettiSwiss Painter, 1868-1933,was a Swiss painter. He was the father of the artists Alberto and Diego Giacometti and the architect Bruno Giacometti. Pierre-Auguste RenoirFrench Impressionist Painter, 1841-1919
French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters.
His critical reputation has suffered from the many minor works he produced during his later years.
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